By means of microscopic observation
astronomical projection the lotus flower
can become the foundation
an entire theory of the universe
an agent whereby we may perceive Truth.
( 1925 – 1970 )
Japanese author, poet, playwright, actor, and film director.
He was a child prodigy who remained childlike with a candid smile and words that seem to come straight from the heart.
At age six, he first picked up the western mandolin and soon made it his own by bringing to its electric strings an unheard of melodic flexibility, microtonal variations and astonishing delicacy in the upper registers. He constructed a nuanced, multi-layered repertoire, whether it was for a Carnatic cutcheri or a cross-genre ensemble. Over the years, without venturing into compulsive experimentation, he kept broadening the dimensions of his music.
As a young boy, when he performed in sabhas, senior musicians initially apprehensive of accompanying him and sceptical of his ‘much-talked’ about talent, later…
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My greatest beauty secret is being happy with myself. I don’t use special creams or treatments – I’ll use a little bit of everything. It’s a mistake to think you are what you put on yourself. I believe that a lot of how you look is to do with how you feel about yourself and your life. Happiness is the greatest beauty secret.
I didn’t have anybody, really, no foundation in life, so I had to make my own way. Always, from the start. I had to go out in the world and become strong, to discover my mission in life.
I’m self-made. I always wanted to make myself a better person, because I was not educated. But that was my dream – to have class.
I’m not wise, but the beginning of wisdom is there; it’s like relaxing into – and an acceptance…
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