Indian music “not an art but life itself.”

Om

That is infinite, this is infinite…..
From That infinite this infinite comes……
From That infinite……. 
this infinite removed or added……
Infinite remains infinite.

Om
Peace! Peace! Peace! 

Sound (nada) is believed to be the heart of the process of creation. In Hinduism, the sacred syllable Om embodies the essence of the universe – it is the “hum” of the atoms and the music of the spheres – and sound in general represents the primal energy that holds the material world together.Nada Brahma is a primal word in Indian spirituality, a primal word that also refers to India’s great classical music.


The origin of Indian music is enshrined in beautiful tales and legends. It is common Hindu practice to attribute the beginning of a branch of learning to a divine origin through Lord Shiva, also called Nataraja, is supposed to be the creator of Sangita, and his mystic dance symbolizes the rhythmic motion of the universe.

He transmitted the knowledge of cosmic dance to the rishi Bharata, through one of his ganas. Tandu. The dance is called tandava and Bharata thus became the first teacher of music to men, and even to apsaras, the heavenly dancers.

Similarly, the rishi Narada, who is depicted as endlessly moving about the universe playing on his vina (lute) and singing, is believed to be another primeval teacher of music.

Under the name of Gandharava Veda, a general theory of sound with its metaphysics and physics appears to have been known to the ancient Hindus. From such summaries as have survived till modern times, it seems that the properties of sound, not only in different musical forms and systems but also in physics, medicine, and magic.

The hymns of the Rig Veda contain the earliest examples of words set to music, and by the time of the Sama Veda a complicated system of chanting had been developed.

By the time of the Yajur Veda, a variety of professional musicians had appeared, such as lute players, drummers, flute players, and conch blowers.”

Since the most ancient times, music in India has been practiced as a spiritual science and art, a means to enlightenment. Sangita, which originally meant drama, music and dance, was closely associated with religion and philosophy.

At first it was inextricably interwoven with the ritualistic and devotional side of religious life. The recital and chant of mantras has been an essential element of vedic ritual throughout the centuries.

According to Indian philosophy, the ultimate goal of human existence is moksha, liberation of the atman from the life-cycle, or spiritual enlightenment; and nadopasana (literally, the worship of sound) is taught as an important means for teaching this goal.
The highest musical experience is ananda, the “divine bliss.” This devotional approach to music is a significant feature of Indian culture.

Indian music is art nearest to life. That is why Irish poet William Butler Yeats (1856-1939) a 1923 Nobel Laureate in Literature, has aptly described Indian music “not an art but life itself.”

ram0ram footnote …… Saturday is my date to update my music blog on wordpress and on facebook ….. so thought give you little insight of Indian music …..

Music = harmony with God

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“one who knows the inner meaning of the sound of the lute, who is expert in intervals and in modal scales and knows the rhythms, travels without effort upon the way of liberation.

– (Yajnavalkya Smriti III, 115).

love all.

text credits :  http://www.hinduwisdom.info/Hindu_Music.htm

(c) ram0ram ……. freedom to right copy and share 

Flow of Silence

Good and God’s morning …….

while listening to a sufi music album …..suddenly one voice mesmerized me and this voice has been of this fine artist ….. in last seven days only heard him so will share some of his fine performances ….. no words can explain his divine music but some words about him ….

Tahir Qawwal had begun studying Indian Classical music at the young age of 14 and teaching himself Sanskrit, he found that music was his path towards the one.

Studying under vocal masters Rahat Fateh Ali Khan, Pashupati Nath Mishra, Sher Ali Khan, Muazzum Qawwal and various others Tahir embodies the potency of ecstatic devotion. Every day Tahir is devoted to the never-ending knowledge of raga. Through his vast knowledge he’s ability to transliterate the ancient Qawwali songs brings Fanna-Fi-Allah into manifestation.

Tahir has been the founder, leader, inspirer and vision holder of the first…

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